Ever wonder what you could do with that Gradient Mesh tool in Adobe Illustrator? It’s one of the most powerful, and yet underused tools in the program.
Here’s a great little tutorial to get you started: Magical Butterfly’s Mesh Tutorial.
Ever wonder what you could do with that Gradient Mesh tool in Adobe Illustrator? It’s one of the most powerful, and yet underused tools in the program.
Here’s a great little tutorial to get you started: Magical Butterfly’s Mesh Tutorial.
Life In Vector has a great tutorial on using the Gradient Mesh tool in Adobe Illustrator. It’s available on the download page, and is about a 1.3MB PDF file. You can also view some of the fantastic illustrations, like the car above, done completely in Illustrator.
When you have a client that always uses the same font, do you ever get tired of having to always change the font when you start typing in Illustrator? Fortunately, you can change Illustrator’s default font. Before changing the default font in Illustrator CS, you need to create a custom startup file by editing the Normal Character Style in Illustrator’s startup files. To change the default font: 1. Quit Illustrator. 2. In the Adobe Illustrator CS/Plug-ins folder, copy the current default startup file – Adobe Illustrator Startup_CMYK or Adobe Illustrator Startup_RGB – and save it with a different name. (This creates a copy of the original startup file in case you need it again.) 3. Open one of the default startup files (Adobe Illustrator Startup_CMYK or Adobe Illustrator Startup_RGB, depending on which type of document you intend to use). 4. Choose Window > Type > Character Styles. 5. Select the Normal Character Style and choose Character Style Options from the palette pop-up menu. 6. Select Basic Character Formats and choose the desired font from the Font Family pop-up menu. 7. Click OK, and save the new file as Adobe Illustrator Startup _CMYK or Adobe Illustrator Startup_RGB in the Plug-ins folder. 8. Restart Illustrator.
Adobe brought transparency to the Illustrator world back with version 9. One of the many complaints about the poor-selling AI9 (and believe me, if you used it, you could see why nobody liked it after only 5 minutes of use!) was the inability of linked spot color EPS photos to interact with all the transparency features. In order for the Pantone colors to output correctly, you HAD to embed the photo in AI, which resulted in absolutely huge file sizes and a pretty decent wait while the file saved. If you forgot to embed the photo, AI would output it as a CMYK or RGB image, depending on what document color space you were in. Illustrator finally fixed this with version 11 (Illustrator CS). You can now link spot color EPS images into AI and not embed them – Even if you have an object with a drop shadow on top of it. This is great because you can keep a more modular workflow this way. Of course, there are very few instances where I would use a placed photo in Illustrator to begin with (at least in the advertising design business anyway). But, this is one old habit I’m happy to say I can finally break!
This may be obvious to anyone who has used Illustrator and InDesign for a while, but not everyone has done so. When you’re working on a large file in Adobe InDesign, you can zoom in on an area by holding down the Command + Spacebar keys while using your mouse to select an area on the screen. Upon release of the mouse button, the area you selected will appear larger on the screen. Add the Option key to that and you can zoom out as well.This may be obvious to anyone who has used Illustrator and InDesign for a while, but not everyone has done so. When you’re working on a large file in Adobe InDesign, you can zoom in on an area by holding down the Command + Spacebar keys while using your mouse to select an area on the screen. Upon release of the mouse button, the area you selected will appear larger on the screen. Add the Option key to that and you can zoom out as well.